August 30, 2010

Twilight screenwtiter Melissa Rosenberg talks battle scene, honeymoon, birth scene in Breaking and filming Brazil.

"They're coming along," Rosenberg said. "I just flew in last night from working with ['Dawn' director] Bill Condon, prepping the scripts. It's a lot of work, I'm exhausted," she added. Rosenberg also revealed that she's between 75 and 80 percent finished with the two screenplays. "But we're intent on making them the best scripts yet."

Regarding the biggest challenge she faces in finishing "Dawn," parts 1 and 2, Rosenberg said it's the climactic "battle scene" — in which the two opposing vampire groups face off in dramatic fashion at the end of the book — that's proving to be her biggest obstacle, rather than the infamous "birth scene".

"The final battle sequence is a big challenge because it lasts 25 pages," Rosenberg told us. "It's almost an entire three-act story in and of itself. You have to track (kept all in one setting) hundreds of characters. It's an enormous challenge to choreograph on the page and for Bill to choreograph on the stage."

Rosenberg went on to say that perfecting that scene is her "next big hurdle."

"I've written a couple of drafts [of the scene]; I haven't gotten with Bill [to go over it] yet. That's the next big hurdle to sit down with the stunt coordinator and create the ballet."



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Breaking Down the alternate to Stephenie Meyers’ Breaking Dawn?

Twilight author Stephenie Meyer interviewed by the Twilight fans and Stephenie Meyer shares her thoughts on the upcoming Breaking Dawn, feeling burned out and dreaming up “Breaking Down”, Twilight merchandise and her appreciation for Billy Burke and Anna Kendrick.

SM: This one she says may not be answerable.

Kallie: It may not be legal and that’s okay. If it’s not, okay. I feel like a rebel right now.
Kassie: You are. I told her not to ask it.
Kallie: I’m the straight-laced one. Okay, so Breaking Dawn the book is being made into two movies.
SM: Yeah.
Kallie: Breaking Dawn I, Breaking Dawn II?
SM: Oh the names?
Kallie: Yes, for the movies.
SM: Oh I don’t know. I don’t know.
Kallie: Do you have any ideas or anything?
SM: I don’t have anything. I was thinking about that one because Breaking Dawn I and Breaking Dawn II is really flat, but then what else are you gonna do?
Kallie: I think we should look towards the Alien movies and what they’ve called them ‘cause I always think that the baby scene…
Matt: “Breaking Dawns”?
Fansite: You know how it’s like breaking out?
Kallie: Yeah, “Breaking Out” is number one and Breaking Dawn can be number two. No, not really. But you know—
SM: “Breaking Down”.
Matt: “Breaking Down Again”.
SM: “Breaking Down” was actually a project for awhile. There was awhile where you get burned out. We came up with an alternate Breaking Dawn called “Breaking Down”.
Fansite: Nice.
SM: It was awesome.
?: There was a lot of really good stuff.
SM: Spiraling downward into the destruction of Bella Swan’s life and everyone around her. Charlie ended up being a meth addict. It was cool.
(chatter and laughter)
SM: No, no it was awesome! Okay, so it starts out with Bella on the same cliff, right? But this time she’s taking her life and she’s going back over like everything that’s happened to get to this point, and it all kind of got started because there was trouble and Alice and Jacob…I forget how it works. Jacob killed Alice right? And it was somewhat Bella’s fault.
Fansite: What?!
SM: No, no. It was “Breaking Down.” So Alice is dead and Edward is horrified because this is Bella’s fault and he like backhands Bella and disappears. He’s gone. All the Cullens are gone. Alice is dead. The Cullens are gone. So Bella’s in the hospital on heavy pain meds which is how Charlie got addicted, and she ends up marrying Mike because you know she settles and she marries Mike. And so she’s stuck with Mike and it’s really depressing and then he leaves her for Eric Yorkie.
(chatter and laughter)
?: You’re forgetting Lauren what’s her name on America’s Next Top Model.
SM: Oh and Lauren Mallory wins America’s Next Top Model. Um and then Charlie ends up getting killed by drug dealers and so …I think her mom died in a car accident somewhere. And so she ends up…there’s nothing so she’s gonna kill herself and then she thinks at the very edge at the cliff at the end: “You know? This is stupid. I’m not gonna kill myself. I’m gonna rebound. I’m gonna forge a new life.” She turns around; she trips and falls over anyway.
(chatter and laughter)
Elysa: This needs to be made.
Matt: It needs to be a graphic novel too.
SM: Well I…you know there were so many expectations for Breaking Dawn that were like: “If this doesn’t happen I’m going to hate it.” And then the exact opposite: “If the exact opposite doesn’t happen I’m going to hate it.” I’m like: “I’m gonna write something that everybody hates!” And then I wanted to leak it you know? And just like have little pieces of it and people be like: “Oh my gosh!” It was gonna be great. We have a lot of fun when coming up with these horrific ideas.
Kallie: It sounds like it.
SM: You know the thing is that Billy Burke would kill Charlie on drugs. He’d be so good at that.
(chatter)
SM: I’m just surprised that he hasn’t been…He’s an amazing talent. Like where are people in picking him up? ‘Cause he is amazing. I want to see him in more things.

To Read the rest of the Transcript or Listen to the Audio Clip CLICK HERE.

Rosalie's Motives in 'Breaking Dawn' Are 'Personal' Not 'Pro-Life,' Nikki Reed Says

'It's about her want, her need to be a mother,' she tells MTV News of her character's fight to save the baby over Bella.

One key participant in the birthing scene is Rosalie Hale, who becomes so obsessed with Bella having Edward's baby that she will stop at nothing to see her born — even if it means compromising Bella's life.

When Rosalie herself, Nikki Reed, stopped by to talk with MTV News about her upcoming indie film "Last Day of Summer," we asked what she thinks about her character's firm beliefs on that subject matter and how she'll tackle those difficult scenes in the films.

"Here's how I look at it: I try not to be super opinionated and vocal, because in Hollywood, that seems to only lead you in the wrong direction," Reed said. "I try to relate this particular case to Rosalie and not make it metaphorical or symbolic of anything else."

Reed said Rosalie's strong feelings toward the baby are tied to her prior life as a human and never having had the chance to be a mother herself.

"I think that Rosalie just always wanted to be a mom, and that's how I look at it," she said. "It has nothing to do with being pro-life or anything. I think it's about her want, her need to be a mother, and this is the only opportunity she's ever going to have, so she's willing to let Bella die so she can have that and fulfill that, and that's how I look at it. It's her own personal desires."

"Dawn" screenwriter Melissa Rosenberg also weighed in on the infamous scene recently, telling us she plans to write it so everyone feels the pain of the experience. "I want to see the terror of the experience," Rosenberg said. "I want to have the experience of the fear and feel her pain. I want to feel everyone's pain in this."

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August 14, 2010

Anna Kendrick on Breaking Dawn, Scott Pilgrim, Meeting Edgar Wright, and Surviving the Oscar Gauntlet

You’re in the upcoming cancer comedy Live With It, with Seth Rogen and Joseph Gordon-Levitt. Tell me a little bit how you got involved, because I know there was a director shakeup early on. Were you attached before Nicole Holofcener left the movie?
No, I’d met with [producer] Nathan Kahane before Up in the Air came out, and I thought that was a pretty good meeting, but I wasn’t officially attached at all until Jonathan Levine came on board. He’d seen Rocket Science and Up in the Air, and I really wanted to be a part of this film. My meeting with Nathan had been months and months before, and I was sort of disappointed that I hadn’t heard anything over time, but over Christmas, they offered it to me and I was so excited.

Now, I wouldn’t usually think of Nicole and Jonathan having much in common as directors. What has he brought to the table?
I don’t know Nicole personally, so I can’t really speak to that, but I think Jonathan is one of those amazing souls who’s smart and sensitivity and funny, and the film has to be all of those things. It’s great to have a director who strikes that balance between having really strong, amazing ideas, but also has an openness toward contribution. Having Seth and Joe and [producer] Evan Goldberg and our incredible screenwriter Will Reiser on set…it’s a really good creative collaboration.

And who do you play in that?
I play a sort of well-meaning but inexperienced — and maybe not very talented — social worker to Joe’s character, who has cancer. She’s definitely supposed to be helping him, but she ends up being more of an obstacle than a helping hand at certain points. She’s very enthusiastic, but she’s maybe not the help that he’s looking for.

Now, I had thought that you’re done with the Twilight films, but IMDb lists you as being part of Breaking Dawn. Is that an error?
IMDb never lies, so… [Laughs] I honestly don’t know. The honest-to-God truth is that I have not talked to [screenwriter] Melissa Rosenberg about it.

How does it feel to be done with that franchise?
I feel like I got to go in and do my little silliness and try to be funny in the time that I was given. It was cool to be a part of something from the beginning when we had no idea what it was going to become, but it’s not really my movie, it’s not my experience. I’m just happy to have been along for the ride.

"I did press for, like, six months, and it started to feel like my job was to talk about Up in the Air and not to be an actress."

For that matter, how does it feel to be done with the ride that was the Oscar gauntlet? I interviewed you before Up in the Air came out, and you said you were worried that you’d have to do so much press that you’d have to fight your answers from becoming mechanical. How did you fight that? Was it draining?
Yeah, it was really draining. I did press for, like, six months, and it started to feel like my job was to talk about Up in the Air and not to be an actress. [Laughs]

Six months…that’s probably double the amount of time it took to shoot the actual movie.
It absolutely was, yeah. It was definitely a weird time. I’m sort of glad that it all happened — I mean, obviously I’m glad it happened — but I sort of got thrown in the deep end, and now I feel confident about press and events. I feel like I should have a T-shirt that says, “I survived Up in the Air press.” [Laughs]

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August 6, 2010

‘Breaking Dawn (Pt. 2)’ Scares Away the Competition…’Monsters, Inc. 2′ Bumps Up 2 Weeks


However, it would seem Pixar was well aware of the scheduling conflict as Box Office Mojo reports they have moved the film up two weeks to avoid making moviegoers choose. Monsters, Inc. 2 will now hit theaters on November 2, 2012, a date they currently have all to themselves. That date previously belonged to DreamWorks Animation's The Guardians featuring the voice of Leonardo DiCaprio, but that film recently moved to November 21, 2012.

The Monsters, Inc. 2 move is a smart one. Any Twilight film should be left to its own devices and everyone else should just stay away.

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With a yearlong gap between films, 'Breaking Dawn' waits until dusk

After releasing the first three movies in "The Twilight Saga" in a span of just 19 months, Summit will take its time with the franchise’s final two films. Plenty of time.

The studio announced this morning that the second installment of "Breaking Dawn" will follow the first one by a full year, coming out on Nov. 16, 2012. This despite the fact that Bill Condon is shooting the movies back-to-back beginning this fall, which would mean the second film would certainly be ready by the summer of 2012.

Breaking We were already a little perplexed that the first "Breaking Dawn" was being held for November 2011, putting nearly a 1-1/2 years between installments. With this announcement it's clear what Summit is thinking: Stick with the autumn and avoid the summer.
It may not be the worst move from a seasonal standpoint. Despite bringing out "The Twilight Saga: Eclipse" in an expectation-laden summer, Summit has been able to gin up only marginally more business for the David Slade film than it did for the November release of "The Twilight Saga: New Moon." (Domestic grosses at a comparable point in the release cycle sit at $288 million, compared to $277 million for "New Moon.)

But in taking its time between the movies, Summit is increasing the risk that that fans will get distracted or lose some enthusiasm.

Warner Bros.' Harry Potter franchise was able to wait longer stretches between a few of its installments -- for much of the film series, a stream of new books kept the property front-of-mind. "Twilight" doesn't have that. It has to hope interest carries over between films all on its own, and that filmgoers don't outgrow it or move on to a new phenomenon in between.
The yearlong wait between the two "Breaking Dawn" films is even more striking because the two movies come from source material that was initially conceived as a whole. No matter where Condon and screenwriter Melissa Rosenberg choose to split the book (spoiler alert: Bella's traumatic childbirth is a logical option), for filmgoers it will mean waiting a full year for what’s essentially the same story to pick up again.

With its bang-bang release of the first three “Twilight” films, Summit was initially perhaps a little too worried fans would age up or lose interest over time. With the more languid pacing for the final two, it's possible they may not be concerned enough.

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Twilight Saga: Breaking Dawn Part 2 Release Date Revealed

Summit Entertainment  posted  on the official Twilight Twitter about the release date of Breaking Dawn Part 2.